Book of Daze

Book of Daze Boycott Carriage Rides Day

(Why Book of Daze Boycott Carriage Rides Day Might Be the DayWe Didn’t Know We Needed)

A carriage horse pulling a carriage..
“Elvis has left the building.”

📰It begins with the clomp of hooves and the click of cell phone “shutters.” Then, somewhere near 59th Street in New York City, a tourist from Des Moines leans toward a horse named Elvis and whispers, “It’s just like in  the movies.” Elvis does not respond. His soul left in 2017.

On Book of Daze Boycott Carriage Rides Day, we call for a protest movement aimed not at New York City itself, but at a particular strain of visitor who believes that nothing says “cultural engagement” quite like subjecting a depressed Clydesdale to ten blocks of traffic and TikTok narration.

We also urgeboycotting the idea that romance requires reins. That “authentic experience” means pretending the horse enjoys hauling fat-ass people who treat every lamppost as a selfie altar. That environmental awareness somehow stops at the hoof.

We are, finally, boycotting the corn-fed Midwestern mythology of New York–the one where the city is a giant set piece and the horses are living prop comedy. The kind of tourist whose idea of ethical travel is, “We tipped the horse.”

Book of Daze Boycott Carriage Rides Day is a liturgical re-calibration calling us to evolve beyond the horse-drawn hangover of urban tourism.

So let us honor Elvis the horse. Let us retire the romance of reins. Let us ask: if your love story needs a suffering beast as a prop, is it really a love story at all?

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The preceding is satire. Straight up, Skippy. No warranties are expressed or implied. For life advice, try a professional. For investment tips, try a dart board. For salvation, the gentleman in the robe has been handling that portfolio for 2,000 years.